The Leipzig-based artist, who came to art in a round­about way and since then has been giv­ing her works to the pub­lic as a con­vinced auto­di­dact, wants to stim­u­late, ex­cite.

By com­bin­ing such con­tra­dict­ory ma­ter­i­als as wood with brass, felt with lead, bones with vel­vet, poly­styrene with tin­plate ... she can cause very idio­syn­crat­ic and in­de­pend­ent ef­fects.

The life of their own, which de­vel­ops these ma­ter­i­als, is a great chal­lenge not only to the artist­ic in­tu­ition, but also to the tech­nic­al skills of the ma­ter­i­al artist. Her vis­ion of an ob­ject must al­ways be pen­et­rated by the strong sen­su­al and mean­ing­ful prop­er­ties of the sub­stances it uses.

De­vi­at­ing from the trend to­wards dis­pos­able art, she re­lies on elab­or­ate pro­cessing of her di­verse ma­ter­i­als.

Her works should be mean­ing­ful and sen­su­al, tan­gible, power­ful and com­plex as life.